In Cybertext, Espen Aarseth explores the aesthetics and textual dynamics of however, Aarseth situates these literary forms within the tradition of “ergodic”. Espen J. Aarseth (born in Bergen, Norway) is a figure in the fields of video game studies Aarseth’s works include groundbreaking Cybertext: Perspectives on Ergodic Literature (Johns Hopkins UP ) book, which was originally his. Wiki for Collaborative Studies of Arts, Media and Humanities.
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Espen Aarseth – Wikipedia
One problem with the approaches is that they do not account for emergent behavior results not predicted by the designer; i.
Do the rapidly evolving and culturally expanding genres of digital literature mean that the narrative mode of discourse—novels, films, television series—is losing its dominant position in our culture? Stel rated it it was amazing Jan 20, He identifies two characteristics of these texts that he returns to repeatedly aaraeth this opening chapter: Slightly outdated, but surprisingly relevant.
This misrepresentation of the relationship between the reader and the text conflates the mutable narrative paths of the cybertext with the ambiguity found in literature with otherwise linear expression. The Typology 62The Texts 65Analysis. The image of the labyrinth is a potent one for Aarseth and helps to illustrate the conflation of these different textualities.
There are no discussion topics on this book yet. Center for Computer Games Research Copenhagen. A little bit dry, a little bit dated, and I wish it covered a broader range of material.
Chris Owen rated it really liked it Mar 05, Mar 22, Susana rated it it was amazing. Aarseth traces this misconception of ergodic literature to a rhetorical model of reading adopted by many critics, theorists, and readers: Part of this foundation is a rigorous definition Aarseth first deconstructs current in approaches to ergodic literature.
Cybertext: Perspectives on Ergodic Literature by Espen J. Aarseth
What application does the idea of cybertext and ergodic literature have to future cinema? He also outlines the different categories and varieties of nonlinear texts. Do the rapidly evolving and culturally expanding genres of digital literature mean that the narrative mode of discourse—novels, films, television series—is losing its dominant position in our culture? The article discusses the concept behind nonlinear texts, stepping away from the category of hypertext and delving into different types of media which can also be considered nonlinear.
This is clearly the best cjbertext of electronic texts I have yet read. There is certainly much more to be gained. Feb 09, Ian Brunton rated it liked it Shelves: Cybertext focuses on mechanical organization of texts by placing the medium as a critical part of literary exchanges.
Cybertext: Perspectives on Ergodic Literature
Perspectives on Ergodic Literature by Espen J. Aarseth shows that ergodicity does not depend on the medium of the text, but on the user function explorative, configurative, interpretative, or textonic.
Intrigue and Discourse The End of Story? Traditionally, representations of the labyrinth in classical and medieval art were unicursal while the literary maze was multicursal Aarseth acknowledges this paradox. Constructing a theoretical model that describes how new electronic forms build on this tradition, Aarseth bridges the widely assumed azrseth between paper texts and electronic texts.
Notably, those characteristics—the constructive role of both the medium and the reader in the reading experience—are not limited to electronic or digital platforms, although this technology has greatly expanded the range of possible written expression. Oliver Laas rated it it was amazing Oct 24, Sep 14, Andrea rated it it was amazing Shelves: What’s the Matter with the Internet? My advice is to read the first two chapters.
Noel Mariano rated it really liked it Apr 26, Is it necessary to define a new aesthetics of cyborg textuality?
He co-founded the Department of Humanistic Informatics  at the University of Bergen, and worked there untilat which time he was a full professor.
Am looking forward to seeing how his perspectives have developed over the last 15 years as well.